Long, long ago, before the puffin swam,
neither sun nor sail bewildered those
who, simple in their sleep, walked to a day
of golden trees and apples in the air,
and quiet tilted villages.

The men flailed and the women wove
and when the eyes of heaven closed
they rested by fin-fairy fires
and watched the smoke climb upright to the stars.

Here the peace of an eternal autumn passed,
still leaves endured, and for the steeple doves
time kissed lightly underneath the moon;
the stones of ancient masons sang
the pale language of the livng dead,
the wall-chants of the spirit of the race
who left his talismans at eventide
lonely in the grey home shade.

Here lay the axe, once sun-slanted and crossed
before ripe muscles on a summer morning
and the old stones sing back two thousand years
to the skin-belted body which turned inthe sun,
and twisted and struck, one lever of flesh
at the tree on the forest floor.

Only the blue flints know of the heavy dead
fibre-bare in the deep midnight earth,
under the dumb centuries of cloven hooves,
and of souls’ last kisses before they fled
like shadows on the arms of some star-white god.

Forever beneath the high moon clouds
the red-haired cattle stray,
meeting and passing like porcelain
upon a waxen way.

Sires of their sires by hecatomb
had writhed beneath the sun;
some new man-woman would bleed
the calves of their calves by gun.
And one dozen paces from their skulls
would meet in temples on the shale
- with hassocks at their feet.

Eric Ratcliffe

by Brian A. Hartford

What a strange product of Nature,

the Puffin, is to what I refer.

Large orange beaked,

attached to a small head.

The body isn’t much of which to
speak,

black plumage, and not much more.

What miracle that such a design,

will support such a structure.

The white breast,

orange webbed feet,

such a clownish appearance.

The eyes highlight the costume,

small dots in a white feather field.

Is this costume for camouflage or,

for a darker spirit?

In Nature, it is not wise to guess,

it is uniqueness.

Fisherman by design,

to swim natural as it’s flight.

A source of amasement to me,

sheer joy to know he exists.

He returns to the cliffs of his
birth,

guards the nest.

protecting his unborn from the snare,

hazard of being a gastronomic
delight.

What a joy to know the puffin,

It is good to know he exists.

I am amused to think that,

the joke is on me.

BAH

Underwater, a premier danseur,
his turns a blur,
his orange feet steer

through the orchestra
of seaweed and tide,
this sea parrot, this clown

of the Atlantic, harlequin-billed
with jester’s eyes;
take one for your own

and the dance of life
takes a turn. The one I choose,
Nureyev,

is on his fifth mate,
despite the fact that puffins
are monogamous: no guilt

on Eastern Egg Rock!
What’s important
is the burrow

lined with grass and sticks,
that he was seen
approaching the nest

with a half dozen fish in his bill.
While his wings spin
like a windmill at sea,

on land he hops awkwardly
across rocks, wings tucked
under the tail of his tuxedo.

In spring, he’s genius
of the thermals,
the sun whispers stage directions,

gravity reveals its secrets
as he flies toward his island
without map or compass
from far across the sea.

— Suellen Wedmore